Grateful Dead 00 00 69 Pig Pen solo project (2 songs) 5 SB>Reels>DAT With 2.18.71, this is all that is available from these sessions 2 18 71 Capitol Theatre, Port Chester NY 158 WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz PCM501ES analog out > dolby A decoder > Apogee filter > analog in PCMF1 PCM501ES analog out > Fostex D5 @ 48 kHz 2 19 71 Capitol Theatre, Port Chester NY 166 WBOTB: 7" 2-track BBD reel w/Dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (dolby *not* decoded) 2 20 71 Capitol Theatre, Port Chester NY 157 WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48 kHz Fostex D5 > Fostex D5 2 21 71 Capitol Theatre, Port Chester NY 170 WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > dolby A decoder > analog in PCMF1 PCM501ES analog out > Fostex D5 @ 48 kHz 2 23 71 Capitol Theatre, Port Chester NY 172 WBOTB: 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > dolby A decoder > analog in PCMF1 PCM501ES analog out > Fostex D5 @ 48 kHz 2 24 71 Capitol Theatre, Port Chester NY 137 WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > dolby A decoder > analog in PCMF1 PCM501ES analog out > Fostex D5 @ 48 kHz 4 5 71 Manhattan Center, New York NY 176 WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) PCM501ES analog out > Fostex D5 @ 48 kHz 4 6 71 Manhattan Center, New York NY 157 WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > dolby A decoder > analog in PCMF1 PCM501ES analog out > Fostex D5 @ 48 kHz 4 7 71 Boston Music Hall, Boston MA 97 (all) WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (dolby *not* decoded) 4 8 71 Boston Music Hall, Boston MA 164 WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > dolby A decoder > analog in PCMF1 PCM501ES analog out > Fostex D5 @ 48 kHz 12 14 71 Hill Auditorium, Ann Arbor MI 177 WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz 5 4 72 Olympia Theatre, Paris France 88 1 WBOTB: SB>7" Master Reels @ 7.5 IPS>PCM 501ES (Beta HiFi)> PCM501ES analog out > Fostex D5 analog in 48 kHz (with 5.26.73 set 3) (Greatest Story thru Two Souls) 5 7 72 Bickershaw Festival, Wigan, England 75 2p WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz ...Other One > end Togather with 4.22.79, Terrapin & 8.27.72IIIb 8 21 72 Berkeley Community Theatre, Berkeley CA 91 1p2 WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz Set 1: ...Casey Jones, Set 2: all Togather with 8.22.72a 8 22 72 Berkeley Community Theatre, Berkeley CA 105 2 WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz part a with 8.21.72, part b with 8.25.72, 6.22.73 & 6.14.76 8 25 72 Berkeley Community Theatre, Berkeley CA 46 all? WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz Togather with 8.22.72b, 6.22.73 & 6.14.76 8 27 72 Veneta OR 203 Sets 1&2 are: WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz Set 3 is not from Betty board (but is a *different* source than the one above that was treed on r.m.gdead in June '94?): WBOTB: Vault SBD, not Betty Board, exact pedigree unknown IIIb togather with 5.7.72, 4.22.79, Terrapin 3 16 73 Nassau Coliseum, Uniondale NY 120 WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz Set 1 thru start of Playin', Set 2 from start of Morning Dew thru Sugar Magnolia 3 21 73 Memorial Auditorium, Utica NY 233 all WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz 3 22 73 Memorial Auditorium, Utica NY 127 1,2p WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz Set 1: all, Set 2: ...Other One > end with 10.9.80e1 3 24 73 The Spectrum, Philadelphia PA 148 WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz part of set 1, all of 2 - (x)HCS thru end of show 3 28 73 Civic Center, Springfield MA 67 2p WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz WRS thru end of show 5 26 73 Kezar Stadium, San Francisco CA 158 1,2 WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz 5 26 73 Kezar Stadium, San Francisco CA 92 3 WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz Contains 5.4.72 1 6 22 73 PNE Coliseum, Vancouver British Columbia 223 WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (end of set 2 with 8.22.72b, 8.25.72 & 6.14.76) 8 xx 73 Wake Of The Flood Outtakes 69 SB>PCM>DAT WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (with 4.7.71) 6 10 76 Boston Music Hall, Boston MA 181 WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz > Sonic Solutions DAW > Fostex D5 @ 44.1 kHz 6 14 76 Beacon Theatre, New York, NY 45 WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz Togather with 8.22.72b, 8.25.72 & 6.22.73 6 15 76 Beacon Theatre, New York, NY 180 WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz 6 29 76 Auditorium Theatre, Chicago IL 183 WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out > DBX type I decoder > analog in PCM501ES analog out > PCM501ES analog out > Fostex D5 DAT at 48 kHz (inludes interleave reel parts) 00 00 77 Terrapin Station 17 WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz Clone of the master reels - side 2 of the album Togather with 5.7.72, 4.22.79 & 8.27.72IIIb 2 26 77 Swing Auditorium, San Bernadino CA 170 WBOTB: SB>7" Master Reels @ 7.5 IPS>PCM 501ES (Beta HiFi)> PCM501ES analog out > Fostex D5 analog in 48 kHz 5 5 77 Veteran's Coliseum, New Haven CT 176 WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out > DBX type I decoder > analog in PCM501ES analog out > PCM501ES analog out > Fostex D5 DAT at 48 kHz 5 7 77 Boston Garden, Boston MA 184 WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out > DBX type I decoder > analog in PCM501ES analog out > PCM501ES analog out > Fostex D5 DAT at 48 kHz (encore with 4.10.78) 5 8 77 Barton Hall, Cornell Univ., Ithaca NY 180 WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out > DBX type I decoder > analog in PCM501ES analog out > PCM501ES analog out > Fostex D5 DAT at 48 kHz 5 9 77 War Memorial, Buffalo NY 178 WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out > DBX type I decoder > analog in PCM501ES analog out > PCM501ES analog out > Fostex D5 DAT at 48 kHz 9 28 77 Paramount Northwest Theatre, Seattle WA 132 WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out > DBX type I decoder > analog in PCM501ES analog out > PCM501ES analog out > Fostex D5 DAT at 48 kHz (first reel (1st half) of set 1 missing - from Jack Straw on) 9 29 77 Paramount Northwest Theatre, Seattle WA 174 WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out > DBX type I decoder > analog in PCM501ES analog out > PCM501ES analog out > Fostex D5 DAT at 48 kHz 10 01 77 Paramount Theatre, Portland OR 157 WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out > DBX type I decoder > analog in PCM501ES analog out > PCM501ES analog out > Fostex D5 DAT at 48 kHz 10 02 77 Paramount Theatre, Portland OR 164 WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out > DBX type I decoder > analog in PCM501ES analog out > PCM501ES analog out > Fostex D5 DAT at 48 kHz 4 6 78 Curtis Hixon Convention Hall, Tampa FL 155 WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES (Beta HiFi) PCM501ES analog out > analog in Fostex D5 @ 48 kHz 4 7 78 Sportatorium, Pembroke Pines FL 180 WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES (Beta HiFi) PCM501ES analog out > analog in Fostex D5 @ 48 kHz 4 8 78 Veterans Memorial Col., Jacksonville FL 172 WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES (Beta HiFi) PCM501ES analog out > analog in Fostex D5 @ 48 kHz 4 22 79 Spartan Stadium, San Jose CA 48 2p WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz ...He's Gone > Around & Around (Brent's first show) Together with 5.7.72, Terrapin & 8.27.72IIIb 9 27 80 Warfield Theatre, San Francisco CA 48 WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out > DBX type I decoder > analog in PCM501ES analog out > PCM501ES analog out > Fostex D5 DAT at 48 kHz (With 9.28.77) 10 9 80 Warfield Theatre, San Francisco CA 47 e1p WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz Stranger > Brown Eyed Women(x) With 3.22.73 Each tape is a 90 meter tape as follows: Tape #1 - 2 18 71 all xx xx 69 Pigpen solo project outtakes (2 songs) Tape #2 - 2 19 71 all Tape #3 - 2 20 71 all Tape #4 - 2 21 71 all Tape #5 - 2 23 71 all Tape #6 - 2 24 71 all Tape #7 - 4 5 71 all Tape #8 - 4 6 71 all Tape #9 - 4 7 71 all 8 xx 73 Wake of the Flood outtakes Tape #10 - 4 8 71 all Tape #11 - 12 14 71 all Tape #12 - 5 7 72 2b (x)Other ... Encore: One More Sat. Night 4 22 79 2p (x)He's Gone ... Around and Around(x) 00 00 77 Terrapin Station dub of master reel 8 27 72 3b Sugar Magnolia ... One More Sat. Night Tape #13 - 8 21 72 1b,2 1b=(x)Casey Jones, 2=all 8 22 72 2a Brown Eyed Women ... Hey Bo Diddley(x) Tape #14 - 8 22 72 2b NFA ... NFA(x) 8 25 72 all 6 22 73 2p He's Gone ... Other One(x) 6 14 76 2b Help on the Way ... Encore: US Blues Tape #15 - 8 27 72 1,2,3p 1,2=all 3p=Dark Star ... Sugar Magnolia(x) Tape #16 - 3 16 73 1,2p 1=all, 2p=(x)Morning Dew ... Encore: Sugar Magnolia Tape #17 - 3 21 73 1,2p 1=all, 2p=Greatest Story ... Me and Bobby McGee Tape #18 - 3 21 73 2p WRS ... Encore: Casey Jones 3 28 73 2p WRS ... Encore: Johnny B. Goode Tape #19 - 3 22 73 1,2p 1=all, 2p=(x)Other One ... Encore: One More Sat. Night 10 9 80 e1p Feel Like A Stranger ... Brown Eyed Women(x) Tape #20 - 3 24 73 1p,2 1p=(x)HCS ... Playin', 2=all Tape #21 - 5 26 73 1,2 1,2=all Tape #22 - 5 26 73 3 3=all 5 4 72 1p 1p=(x)Greatest Story ... Two Souls in Communion Tape #23 - 6 22 73 1,2p 1=all, 2p=HCS ... Big RR Blues Tape #24 - 6 15 76 all Tape #25 - 6 29 76 all 6 29 76 p p=interleave reel parts for reel flips Tape #26 - 2 26 77 all Tape #27 - 5 5 77 all Tape #28 - 5 7 77 1,2 1,2=Bertha ... Around and Around Tape #29 - 5 8 77 all Tape #30 - 5 9 77 all Tape #31 - 6 10 76 all Tape #32 - 9 28 77 all 9 27 80 1ac (x)Jack-A-Roe ... Ripple(x) Tape #33 - 9 29 77 all Tape #34 - 10 1 77 all Tape #35 - 10 2 77 all Tape #36 - 4 6 78 all (Bertha missing from I) Tape #37 - 4 7 78 all Tape #38 - 4 8 78 all